PRESENCE — Spatial Stilness

Structured to embrace the richness of new elements while conveying a sense of suspended calm — dense and enveloping. A striking setting where furnishings become sculptural presences, capable of inhabiting the space with a new and conscious density. At the center is Orma, designed by Martina and Massimo Castagna: a modular sofa with a low-profile silhouette that redefines the concept of comfort through a seating system that settles naturally into the environment like an organic imprint, blending geometric rigor with visual softness. Available with removable upholstery in either fabric or leather, in the colors of the collection. In harmonious tension with the more enveloping surfaces, the setting also features several pieces crafted in the new Bon Bon Glass material. Created from a blend of 100% recycled glass bonded with polymers containing plant-based components from renewable sources, it reveals a surface marked by crystallizations, inclusions, and spontaneous variations. The material is enriched with inks in “ciliegia” or “menta glaciale” tones. Rather than a solid coloration, the hues appear diluted, allowing light to filter through and diffuse with shifting intensity, interacting with small clusters that evoke the graininess and brilliance of crystallized sugar, creating unexpected reflections.The pronounced structural and chromatic irregularities, together with the deliberately rough and tactile finish, are not imperfections to be corrected, but intrinsic qualities of the material itself. Each surface preserves the traces of the process that generated it, transforming it into a testament to artisanal craftsmanship and the unrepeatable uniqueness of handmade production. This approach celebrates a new vision of glass in the year of the company’s 70th Anniversary, looking toward the future and sustainability, where matter is understood as potentially inexhaustible and in constant regeneration.The Ri-Giro coffee tables, designed by Samuele Tremolada and made in Bon Bon Glass, celebrate precisely this poetry of regeneration through a tactile texture created from recycled glass granules. Thin thicknesses, essential geometries, and a continuous line define their aesthetic: their forms emerge from a fundamental principle — deeply understanding the material before translating it into shape, allowing the material itself to suggest its natural direction.This dialogue extends to the Garçon side table, designed by Studiopepe, born from the balance between the sculptural presence of its monolithic leg — available in travertine or Bon Bon Glass — and the refinement of leather in a blush tone. Built around the interlocking relationship between the tabletop and the monolithic volume of the base, it presents itself as an essential project in service of function.

The same purity of design is reflected in Dock, designed by Marialaura Rossiello Irvine: a cantilevered side table crafted entirely from either travertine powder or Bon Bon Glass. Its continuous silhouette challenges static form through a light yet rigorous section, like a silent landing place that does not seek attention, but remains waiting — ready to hold a book or a thought. Dainelli Studio signs Chopin, a decorative mirror system composed of three modules with different patterns, designed to be combined into graphic compositions. The wall-mounted modules, available in either bronze or extra-light glass, can be installed individually or arranged in customized configurations. By the same designers, Stresa Box is an evolved version of the original wall composition featuring boiserie panels, integrated shelves, and lighting, now enhanced with the addition of storage elements. Titta, designed by Federica Biasi, stems from a reflection on the typical seating found in 1970s clubs, characterized by low volumes and enveloping forms. A 360° swivel lounge armchair, it unfolds as a single soft body in which seat and backrest merge into one continuous line. Its curved profile recalls the sculptural language of furniture from that era, with a focus on comfort, atmosphere, and stage presence.In an alternative interpretation of comfort, Olivia — the 180° swivel armchair by Martina and Massimo Castagna — evokes the shape of a soft chignon and finds stylistic continuity in the retro-inspired Anniversary Edition finish of the tempered bronze crystal used for the Haumea coffee tables, designed by Massimo Castagna, and T35 Trio, designed by Pierangelo Gallotti in 1975, further emphasized by the iconic metal joint.Now reinterpreted in a lounge version, the Oto table by Oscar and Gabriele Buratti redefines balance through its off-center leg. Glass then reaches its most complete expression in a multi-layered constellation, revealed in the luminous scenography of the Tratto lamps designed by Draga & Aurel. Suspended graphic signs that deconstruct and recompose the purity of the cylinder, tracing a cascade of light through the air. A dense atmosphere, where design does not merely occupy space, but defines it.